With this sun shade woven from wicker, basket maker Catherine Romand and designer Clémence Althabegoïty have combined their skills to create an object as poetic as it is futuristic.

Basketry, design and the sciences 

Tresser l'ombre is designed not only to protect you from the sun but also to detect the position of its rays in order to identify the season, like an immersive sundial. To achieve this, the pair called on Pascal Descamp, astronomer at the Paris Observatory, who calculated the sun’s trajectories in the Touraine region using a series of algorithms. It’s this data that Clémence used to design the piece, starting off by producing the shape in 3D and the technical drawings using modelling software.

After creating the metal framework, Catherine set about weaving the entire structure, whose imposing size is a real technical feat in itself – using wicker grown without pesticides in her own field, harvested and processed in the most eco-friendly way possible, simply using linseed oil. Other challenges at the wicker weaving stage were that a very precise angle was required to match the exact latitude of the location, and just as specific a gradation of colours for the identification of the seasons, ranging from a white wicker (with no bark) for winter to a very dark brown raw wicker to symbolise summer. All combined with wales (horizontal bands of weave) that symbolise the key dates in the year – equinoxes and winter and summer solstices.

  • Focus on the gestures of basket-maker Catherine Romand.
    © Julie Limont pour la Fondation Bettencourt Schueller
  • Tresser l'ombre, l'ombrière de Catherine Romand et Clémence Althabegoity
    "Tresser l'ombre", the award-winning piece.
    © Julie Limont pour la Fondation Bettencourt Schueller
  • Focus sur Tresser l'ombre, la pièce primée.
    Focus on a detail from the piece "Tresser l'ombre"
    © Julie Limont pour la Fondation Bettencourt Schueller
  • In the studio of basket-maker Catherine Romand.
    © Julie Limont pour la Fondation Bettencourt Schueller
  • Catherine Romand and Clémence Althabegoïty in Villaines-les-Rochers.
    © Julie Limont pour la Fondation Bettencourt Schueller
  • Focus on the gestures of basket-maker Catherine Romand.
  • Catherine Romand at work in her basketry studio.
    © Julie Limont pour la Fondation Bettencourt Schueller
  • In the studio of Clémence Althabegoïty.
    © Julie Limont pour la Fondation Bettencourt Schueller
  • Wicker used by Catherine Romand to create her pieces.
    © Julie Limont pour la Fondation Bettencourt Schueller

The finished piece is a hugely poetic refuge where you can shelter from the sun all year round while being able to identify the time of year through the weaving of the wicker. It also encourages us to reconnect with the cycle of the seasons and to examine our relationship with time, but above all it is intended as a celebration of the ancient art of basketry, at a time when wicker growing is particularly threatened by climate disruption.

Catherine Romand in a few words

Catherine Romand was born in Belfort in 1963. She lives and works in Villaines-les-Rochers. After graduating from France’s national basketry school in Fayl-Billot in 1981, she began her career in basket making. Not long after that, she co-founded the Romand’Art basketry studio with Christophe Romand in Villaines-les-Rochers, in the Indre-et-Loire department in central France, specialising in wicker items made using their own crops. She has chaired the French federation of professional basket makers since 2021 and the jury for the basketwork category of the Meilleur Ouvrier de France competition for France’s best craftspeople since 2023.

© Julie Limont pour la Fondation Bettencourt Schueller
  • 1981-années 2000 Beginning of her career in basketry, then creation of Catherine and Christophe Romand’s basketry studio.

  • 2003 Start of her artistic work. Prix Coup de Coeur contemporary art award from the SEMA (now Institut pour les savoir-faire français, formerly INMA).

  • 2011-2017 Participates in the exhibitions Résonnances in Strasbourg, Ob’Art in Paris and Hangar 14 in Bordeaux.

  • 2021 Named chair of the Syndicat français des vanniers professionnels.

  • 2024 Liliane Bettencourt Prize pour l’Intelligence de la main in the Dialogues category.

Clémence Althabegoïty in a few words

Clémence Althabegoïty was born in 1993 in Paris, where she lives and works. She studied for four years at Design Academy Eindhoven (Netherlands), graduating in 2016. Later, she studied at the École Nationale Supérieure des Beaux-Arts (Paris, France) and Goldsmiths College (London, UK). In 2021, she won the Pavillon de l'Arsenal FAIRE competition. 

© Julie Limont pour la Fondation Bettencourt Schueller
  • 2016 Degree at Design Academy Eindhoven.

  • 2018 Graduates from the École Nationale Supérieure des Beaux-Arts, Paris.

  • 2019 Graduates from the Goldsmiths College, London.

  • 2021 Laureate of the Pavillon de l'Arsenal FAIRE competition.

  • 2023 ‘Vivant Voyageurs’ prize, coup de cœur du jury COAL (Coalition for a Cultural Ecology) and Métropole du Grand Paris.

  • 2024 Liliane Bettencourt Prize pour l’Intelligence de la main in the Dialogues category.